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忽入夏夜长日
Dive into Summer Day
艺术家：何海昱、林 珑、李非凡、斯特凡诺·加利（Stefano Galli）、武书成、赵 唯
Artists：HE Haiyu, LIN Long, LI Feifan, Stefano Galli, WU Shucheng, ZHAO Wei.
开幕时间：5月10日[周六] 14:00
Opening：May 10th[Saturday] 14:00
地址:浙江省绍兴市柯桥区鉴湖里鉴空间
Address：Mirror Space, Jianhuli, Keqiao District, Shaoxing, Zhejiang, China
鉴空间将于2025年5月10日至7月25日欣然呈现群展“忽入夏夜长日”，展出何海昱、林珑、李非凡、斯特凡诺·加利（Stefano Galli）、武书成和赵唯，共六位艺术家创作的三十余件新近作品。
Mirror Space is pleased to announce the group exhibition Dive into Summer Day from May 10 to July 25, 2025, presents over thirty recent works by six artists HE Haiyu, LIN Long, LI Feifan, Stefano Galli, WU Shucheng, and ZHAO Wei.
夏至，黑夜仿若绵长实则转瞬即逝，白昼好似短暂，是因其炽烈而又充满生机。昼夜的更替为人们带来体感上的极端体验，让我们在自然循环的繁盛与荒凉中，体会生命里的对立与和谐。如柏拉图在《斐多篇》中提出人对生的爱意和对死的沉思，艺术家以截然不同的方式展现个体对自然与生命的深刻洞察，就像是通过创作撷取了夏日的明与暗。
白日的明亮，轻松愉悦，耀眼的强光映射着情感的炽热与生命的高峰，艺术家用充满色彩与活力的画面，捕捉人性的积极与对自然的热爱；深夜的静谧，人类内心的孤单在画面幽暗的空间中被着重放大，以暧昧为底色的场景唤起观者重新追问存在的意义。
以感知与记忆为触媒，六位艺术家从自然与都市、空间与情感、感性经验与理性思考、或探索媒介本身等多种角度出发，通过绘画的方式表现动势与静止间的张力。斯特凡诺·加利用传统写实技法复现自然景观，捕捉森林的宁静与祥和。数字化的荧光涂鸦以其强烈的动态之感打破了静谧的意境，使传统绘画与数字美学在画布上产生碰撞。他以画布为视觉的试验场，通过绘画营造出无声的喧嚣，探索真实与虚拟共存的多种可能；武书成的创作直面现代生活的荒诞。他用冷峻的黑色幽默，构建出一个仿佛凝固于时间中的沉默剧场。在他的作品中，孤独成为无处不在的集体症候，而虚无则如同细微的裂缝，渗透进生活的肌理。通过刻意的留白与紧张的构图，他为每一个场景赋予了强烈的戏剧冲突，使观众重新审视自我与世界的关系，洞察隐藏在“常规”之下的复杂与真实。
虚掩的门、停滞的光影、斑驳的墙面，这些平凡无奇的记忆碎片在赵唯的画中被赋予了一种独特的生命力。她以敏锐而精确的笔触在画布上重构了冰冷的建筑，将原本静止的结构转化为充满隐喻与情感的叙事场域，形成能够承载感性与脆弱的特殊容器；李非凡则通过绘画重写时间的线性逻辑，过去、现在与未来被放置于一处。他笔下的人物绝非具体的个人，模糊的轮廓与抽象的形态仿佛记忆的剪影，是人们经验与感受的共鸣。在他的作品中，记忆如同涟漪般扩散，构建出一个既陌生又熟悉、既遥远又触手可及的世界，让观者在辨认与迷失之间不断徘徊。
何海昱将视线转向网络语境下的日常切片，用画布记录下数字时代的荒诞瞬间。她以涂鸦式的线条和跳跃的色块，创造出一种既轻松又尖锐的视觉语言，仿佛网络世界中飞速滑动的屏幕快照。这些画面看似滑稽幽默，充满流行文化符号与即时性的表达背后，隐藏着深刻的情感纹理。她的作品如同一面镜子，折射出被数字化时代加速的生活节奏和被碎片化信息掩埋的真实情绪；林珑则在象征与隐喻中进一步探讨现代性背景下人在社会中的境遇。抽象化的向日葵、蝴蝶般的盆骨和快要燃尽的烛火，这些符号化的元素在迷幻的背景中显现了个体寻找其身份归属的诱惑及挣扎。看似孤立的主题却承载了现代社会中关于个体困境、情感疏离和自我重建的复杂叙述。
The summer marks a time when nights, seemingly long, pass instantly, while days, though brief, arefilled with vitality and intensity. The alternation of day and night brings extreme sensory experiences, allowing us to perceive the contrasts and harmonies of life in the cycle of nature's abundance and desolation. As Plato explores in Phaedo the love for life and the contemplation of death, the artists present profound insights into nature and existence through their diverse creative approaches, capturing the light and shadow of summer in their works.
The brightness of day is lighthearted and joyous; its dazzling radiance reflects the fervor of emotions and the peak of life. Artists employ vibrant and dynamic imagery to express human positivity and an appreciation for nature. In contrast, the quietude of night magnifies the solitude within, as its dim and ambiguous spaces invite viewers to reevaluate the meaning of existence.
Using perception and memory as catalysts, the six artists explore themes ranging from nature and urbanity to space and emotion, sensory experience and rational thought, and the qualities of the mediums. Stefano Galli employs traditional realist techniques to recreate natural landscapes, capturing the tranquility of forests. Digital fluorescent graffiti disrupts this serene imagery with dynamic intensity, creating a collision of conventional painting and digital aesthetics. His canvas becomes a visual testing ground, crafting silent tumult and exploring the coexistence of reality and the virtual. WU Shucheng's works confront the absurdity of modern life with dark humor, constructing silent theaters frozen in time. In his paintings, loneliness emerges as a collective symptom, and nihilism seeps into the fabric of everyday life like subtle cracks. Through deliberate use of negative space and tension-filled compositions, he imbues each scene with dramatic conflict, prompting viewers to reexamine their relationship with the world and uncover the complexities and truths beneath the "ordinary."
Ajar doors, static light, and weathered walls—these mundane fragments of memory gain a unique vitality in ZHAO Wei's paintings. She reconstructs the cold architecture on her canvas with sharp and precise strokes, transforming static structures into narrative spaces imbued with metaphor and emotion. These spaces become unique vessels capable of holding sensitivity and vulnerability. LI Feifan, on the other hand, reimagines the linear logic of time through his paintings, merging past, present, and future into a single frame. His figures are not specific individuals but blurred silhouettes and abstract forms that resemble fragments of memory, resonating with shared human experiences. In his works, memory ripples outward like waves, constructing a world that is at once unfamiliar yet familiar, distant yet within reach, leaving viewers oscillating between recognition and disorientation.
HE Haiyu turns her gaze to slices of daily life within the context of the digital age, capturing moments of absurdity in her canvases. Using graffiti-like lines and vivid color blocks, she creates a visual language that is both playful and sharp, reminiscent of fast-scrolling snapshots in the digital world. Behind the humorous and vibrant imagery filled with pop culture symbols lies a deep emotional texture. Her works act as a mirror, reflecting the accelerated pace of life in the digital age and the buried authentic emotions beneath fragmented information. LIN Long delves further into the human condition within the context of modernity through symbols and metaphors. Abstract sunflowers, butterfly-like pelvic bones, and nearly extinguished candles appear in surreal backdrops, portraying the struggles and temptations of individuals searching for identity. These seemingly isolated themes carry complex narratives about individual struggles, emotional alienation, and self-reconstruction in contemporary society.
林子里有两条路 Two Paths in the Woods
林 珑 LIN Long
布面油画 Oil on canvas
70×100 cm 27 1/2 × 39 3/8 in
2023
斯特凡诺·加利 Stefano Galli
武书成 WU Shucheng
布面油画 Oil on canvas
赵 唯 ZHAO Wei
WANG Yaoli is a curator and writer based in Beijing, the director of BONIAN SPACE, with an MFA degree in Curatorial Practice from the School of Visual Arts (SVA), New York, and a BFA degree in major Art History and minors in Psychology and Japanese from the University of Miami (UM), Florida, USA. She focuses on the practice of emerging artists and the development of the contemporary art market. Her academic research focuses on the development of ecological art and biotechnology in the post-human context, as well as geo-folk cultures and mythology in contemporary society.
何海昱
1996年出生于中国齐齐哈尔
现工作和生活于中国杭州
HE Haiyu
Born 1996 in Qiqihar, China.
Lives and works in Hangzhou, China.
教育经历
2018年，本科毕业于鲁迅美术学院油画系
2022年，硕士毕业于天津美术学院油画系
Education
2018, Bachelor of Fine Arts degree, Luxun Academy of Fine Arts, Liaoning, China.
2022, Master of Fine Arts degree, Tianjin Academy of Fine Arts, Tianjin, China
个 展
2024，藏猫猫俱乐部，伯年艺术空间，北京
Solo Exhibition
2024, Hide-and-Seek Club, BONIAN SPACE, Beijing
群 展
2025，忽入夏夜长日，鉴空间，绍兴，中国
2024，预演——90后艺术家的30个样本，春美术馆，上海，中国
2023，夜，是关于光的叙事，伯年艺术空间，上海，中国
2022，断片集，伯年艺术空间，北京，中国
Group Exhibitions
2025, Dive into Summer Day, Mirror Space, Shaoxing, China
2024, Rehearsal: Works by 30 Post-90s Artists, CHUN ART MUSEUM, Shanghai, China
2023, Seeing Through Light: The Intimate Narrative, BONIAN SPACE, Shanghai
2022, Fragments, BONIAN SPACE, Beijing
艺术博览会
2025，Art Central2025，伯年艺术空间，香港，中国
2024，ART021 上海廿一当代艺术博览会，伯年艺术空间，上海，中国
2024，宁波当代2024国际画廊周，伯年艺术空间，宁波，中国
2024，北京当代·艺术博览会，伯年艺术空间，北京，中国
2023，北京当代·艺术博览会-重聚，伯年艺术空间，北京，中国
2023，设计深圳，Meet Camera，深圳，中国
2023，艺术厦门，伯年艺术空间，厦门，中国
2022，复眼计划——灼眼的星河，西岸艺术与设计博览会，上海，中国
Art Fairs
2025, Art Central 2025, BONIAN SPACE, Hong Kong, China
2024, ART021 Shanghai Contemporary Art Fair, BONIAN SPACE, Shanghai, China
2024, Ningbo Contemporary International Gallery Weekend, BONIAN SPACE, Ningbo
2024, Beijing Dangdai Art Fair, BONIAN SPACE, Beijing
2023, Beijing Dangdai Art Fair - REUNION, BONIAN SPACE, Beijing
2023, Design SHENZHEN, Meet Camera, Shenzhen
2023, Art AMOY, BONIAN SPACE, Amoy
2022, Ommateum Plan-Blazing Galaxy, Westbund, Shanghai
艺术家自述
她的作品源起于对自然以及日常生活中那些饶有趣味且略带荒诞色彩的图像纪实，而后通过一种独特的“再处理” 手段予以呈现。在创作过程中，紧密围绕着一些碎片化的片段探寻灵感，凭借自身的想象力以及对图片的积极干预展开自由创作，以一种隐喻的手法构建出一种童趣、幽默且能治愈人心的画面。在满足自身情感归属需求的同时，留给观者一定的想象空间，促进观者与作品之间的互动，进而释放出艺术疗愈的力量。
Artist statement
Her works originate from the interesting and slightly absurd documentary images of nature and daily life, which are then presented through a unique ‘re-processing’ method. In the process of creation, the work is closely inspired by fragmented fragments, and is created freely with his own imagination and active intervention in the images, using a metaphorical approach to construct a childlike, humorous and healing image. While fulfilling their own needs for emotional belonging, they leave the viewer with a certain amount of space for imagination, promoting interaction between the viewer and the artwork, thus releasing the healing power of art.
林 珑
1991年出生于中国福州
现生活和工作于中国南京
LIN Long
Born 1991 in Fuzhou, China
Lives and works in Nanjing, China
教育经历
2014，本科毕业于山东工艺美术学院造型油画专业
Education
2014，Bachelor of Oil Painting degree, Shandong University of Art & Design, Jinan, China
个 展
2021，再一次浪漫，无际空间，深圳，中国
Solo Exhibition
2021, Romantic Again, Laniakea, Shenzhen, China
群 展
2025，忽入夏夜长日，鉴空间，绍兴，中国
2025，天真若有似无，伯年艺术空间，北京，中国
2024，提案：生命、呼吸、肉体，art404 that，南京，中国
2023，春和景明，哲悟空间，厦门，中国
2019，万物生长，798艺术工厂，北京，中国
2019，日常画记，會空间，北京，中国
2018，宝龙新锐艺术市集，艺术小红花&宝龙艺术中心，杭州，中国
2018，开机，Link Gallery, 北京，中国
2018，行走的时间，798艺术中心，北京，中国
2018，当艺术来敲门，Soho Yard Gallery, 香港，中国
2018，第一届国际女艺术家澳门双年展，澳门艺术博物馆，澳门，中国
2017，MINI ART FAIR, 會空间，北京，中国
2017，物语，798艺术工厂，北京，中国
2017，中华文化四海行一巡，雪窦寺，宁波，中国
2017，情感意识下非常态的常态性，798芳草地画廊，北京，中国
2016，失真的美好，盛世天空美术馆，北京，中国
2016，六月一，798卓越艺术空间，北京，中国
2016，山东国际画廊艺术博览会，山东机械设备展览中心，山东，中国
2016，春季HI21新锐艺术集市，官舍，北京，中国
2015，艺葩圣诞展，798艺术工厂，北京，中国
2015，添枝加叶，上上国际美术馆，北京，中国
Group Exhibitions
2025, Dive into Summer Day, Mirror Space, Shaoxing, China
2025, Just Beyond the Sight, BONIAN SPACE, Beijing, China
2024, Proposal: Life, Breath, Flesh, art404 that, Nanjing, China
2023, BRIGHT SPRING, PHILOSOPHY SPACE, Xiamen, China
2019, Growth of all things, 798 ARTZONE, Beijing, China
2019, Daily Picture, HUI ART SPACE, Beijing, China
2018, HANGZHOU POWERLONG ART CENTER ART FAIR, SMALL SAFFLOWER & POWERLONG ART CENTER ,
Hangzhou, China
2018, Turn ON, Link Gallery, Beijing, China
2018, Walking time, 798 ARTZONE, Beijing, China
2018, When Art Comes Knocking, Soho Yard Gallery, Hong Kong, China
2018, Women Artists 1st International Biennial of Macau, Macau Museum of Art, Macau, China
2017, MINI ART FAIR, HUI ART SPACE, Beijing, China
2017, Stories, 798 ARTZONE, Beijing, China
2017, A Tour of Chinese Culture Across the World, Xuedou Temple, Ningbo, China
2017, Grasping the normality within the abnormality, Parkview Green Art 798, Beijing, China
2016, Distortion of beauty, SKY MOCA, Beijing, China
2016, 1st June, JOYART, Beijing, China
2016, Hi21 YOUNG ART FAIR, THE GRAND SUMMIT, Beijing, China
2015, MERRY CHRISTMAS WITH 798 EPARTY, 798 ARTZONE, Beijing, China
2015, Add Details of a Story, SUNSHINE INTERNATIONAL ART MUSEUM, Beijing, China
艺术博览会
2021，艺术深圳博览会，深圳，中国
2018，Affordable Art Fair HK，香港会展中心，香港，中国
2016，山东国际画廊艺术博览会，山东机械设备展览中心，山东，中国
Art Fairs
2021, Art Shenzhen, Shenzhen, China
2018, Affordable Art Fair HK, Hong Kong Convention and Exhibition Center, Hong Kong, China
2018, CHINA SHANDONG INTERNATIONAL GALLERY ART FAIR, Shandong Machinery Equipment Exhibition Center, Shandong, China
创作阐述
我的创作是试图通过符号与图像，将个体感知的理性、犹疑与对抗转译为视觉上的隐喻，探讨现代性所带来的“真实”与“期许”之间的距离，质疑现代社会中人类所构建的理想是否仍然具备实现性，或是否已经沦为一种虚构的安慰剂，“我们所处的世界，是否早已是一个由符号与表象构所成的虚拟现实。” 这种质疑体现在对符号化的运用与对现实意象的扭曲处理上，同时反思自然在现代社会中的边缘化与割裂状态。
Statement
My creation is an attempt to translate the rationality, doubt and confrontation of individual perception into visual metaphors through symbols and images, to explore the distance between ‘reality’ and ‘expectation’ brought about by modernity, and to question whether the ideals constructed by human beings in modern society are still realisable, or whether they have been reduced to a fictional placebo, ‘Is the world we live in already a virtual reality constructed by symbols and representations? It questions whether the ideals constructed by human beings in modern society are still realisable, or whether they have been reduced to a kind of fictional placebo, and whether ‘the world we live in has long been a virtual reality constructed by symbols and representations’. This question is reflected in the use of symbolism and the distortion of realistic imagery, while reflecting on the marginalisation and fragmentation of nature in modern society.
李非凡
1995年出生于浙江嘉兴
现生活工作在浙江与重庆
LI Feifan
Born in 1995 in Jiaxing, Zhejiang
Now works and lives in Zhejiang, Chongqing
教育经历
2018年，本科毕业于四川美术学院版画系
2023年，硕士毕业于四川美术学院油画系
2024年～2025年，四川美术学院驻留
Education
2018, Bachelor of Printmaking, Sichuan Fine Arts Institute
2023, Master of Oil Painting, Sichuan Fine Arts Institute
2024-2025, Residency at Sichuan Fine Arts Institute
个 展
2023，而你的心游向远方，伯年艺术空间，北京
2019，顽野之隅，白空间，重庆
Solo Exhibitions
2023, Your Heart Swims Far Away, Bonian Space, Beijing, China
2019, Wild Corner, White Space, Chongqing, China
群 展
2025，忽入夏夜长日，鉴空间，绍兴，中国
2024，后浪之后，奈艺术中心，杭州，中国
2024，择路而行，赛麟空间，上海，中国
2024，拒绝修饰，赛麟空间，上海，中国
2023，夜，是关于光的叙事，伯年艺术空间，上海，中国
2023，复眼与深邃，四川美术学院“油画系年展”30周年文献展，重庆，中国
2023，变奏曲，珀德画廊，上海，中国
2021，贴地飞行——德信青年艺术家造星计划成果展，杭州当代美术馆，杭州，中国
2020，第二届重庆油画双年展，重庆美术馆，重庆，中国
Group Exhibitions
2025, Dive into Summer Day, Mirror Space, Shaoxing, China
2024, After Generation, JAM SPACE, Hangzhou, China
2024, Chooseing a Path to Survival, Sailing Space, Shanghai, China
2024, Oppose Affectation, Sailing Space, Shanghai, China
2023, Night is a Narrative of Light, Bonian Space, Shanghai, China
2023, Compound Eye and Profound Vision: 30th Anniversary Documentary Exhibition of the Annual Exhibition of the Oil Painting Department at Sichuan Fine Arts Institute, Chongqing, China
获奖经历
2021，第三届“礼物”提名奖，罗中立美术馆，重庆
2020，云见你——许钦松创作奖 入围奖，广东
2019，大学生艺术博览会 入围青年艺术家奖，广东
Awards
2021, The Third “Gift” Nomination Award, Luo Zhongli Art Museum, Chongqing, China
2020, Cloud Seeing You - Xu Qinsong Creation Award Finalist, Guangdong, China
2019, University Art Fair, Guangdong, Finalist, Young Artist Award
创作阐述
李非凡以丙烯和油彩为创作媒介，用独特的肌理给予创作画面更加强烈的视觉效果，使不确定的事物和不确定的场景建立虚构荒诞的“风景”，同时保留了创作中的偶然痕迹。李非凡在作品中更加关注画面本身的状态呈现。荒诞而又真实的状态、诙谐的趣味性与创作笔触的偶然痕迹是他创作的重点。
Statement
Li Feifan uses acrylic and oil as the medium of creation, using unique texture to give the creation of the picture a stronger visual effect, making uncertain things and uncertain scenes to build up a fictional and absurd “landscape”, while retaining the accidental traces in the creation. Li Feifan pays more attention to the presentation of the state of the picture itself in his works. The absurd but real state, the witty fun and the accidental traces of his creative strokes are the focus of his works.
斯特凡诺·加利
1989年出生于意大利佛罗伦萨
现生活和工作于中国上海
Stefano Galli
Born 1989 in Florence, Italy
Lives and works in Shanghai, China
教育经历
2013年，本科毕业于佛罗伦萨美术学院美术学专业
2017年，硕士毕业于佛罗伦萨美术学院新表达语言专业
Education
2013, Bachelor of Fine Arts degree, the Academy of Fine Arts of Florence, Florence, Italy
2017, Master of New Expressive Language degree, the Academy of Fine Arts of Florence, Florence, Italy
个 展
2025，再现现实，768画廊，上海，中国
2023，翡冷翠·秘境，荔枝画廊，苏州，中国
2023，萤起樱落，伯年艺术空间，北京，中国
2023，自然·非然，知铭空间，厦门，中国
2022，低语，No Name Studio，上海，中国
2022，月河，大气层空间，南京，中国
2021，L’insieme Complementare，Accaventiquattro Gallery，普拉托，意大利
Solo Exhibitions
2025, NeoMimesis, 768 Gallery, Shanghai, China
2023, Firenze · Secret Realm, Litschi Galerie, Suzhou, China
2023, The Falling of Blossoms, The Trail of Fireflies, BONIAN SPACE, Beijing
2023, Nature is not the way it is, Zhiming Space, Xiamen, China
2022, Whispers, No Name Studio, Shanghai, China
2022, Moon River, Atmospheric Space, Nanjing, China
2021, L’insieme Complementare, Accaventiquattro Gallery, Italy
群 展
2025，忽入夏夜长日，鉴空间，绍兴，中国
2023，托斯卡纳艳阳下，艺术仓库，北京，中国
2023，ONE ART Taipei 艺术台北，EQUAL = 等号画廊，台湾，中国
2022，想象/图像/幻象 Imag(in)e Fantasy, 春美术馆，上海，中国
2022，复眼计划-灼眼的星河，西岸艺术与设计博览会，上海，中国
2022，轮回光年，杜若云章，上海，中国
2019，La Nuova Accademia: La Ricerca dell’Essenza Nello Studio delle Forme，意大利
2018，Ai Confine dell’Abbandono，Le Muratine空间，蓬塔谢韦，意大利
2017，Tra le pagine di Erba d’Arno, Artisti presentati da Mauro Pratesi，沃乐塔宫殿，意大利
2017，Du Clos Lucé au Louvre, le trois chefs d'oeuvre de Léonard de Vinci，巴尼奥洛村，意大利
2016，Fra Le Pagine di Erba d’Arno，Montanelli Bassi 基金会，富切基奥，意大利
2016，Volk，布鲁内莱斯基走廊，佛罗伦萨，意大利
2016，ACADEMIC ORIGINAL CREATIVE，四川美术学院，重庆，中国
2016，第二届中意青年艺术家联展，奥加美术馆，北京，中国
2016，Maestri e Allievi Si Confrontano Sulla Pittura，佛罗伦萨中学，佛罗伦萨，意大利
2016，Grammelot，罗马当代艺术博物馆，罗马，意大利
2015，Fine Art，筑波美术馆 ，茨城县，日本
2015，Enegan Prize，前法庭圣佛罗伦萨广场，佛罗伦萨，意大利
2015，Il Senso del Corpo，阿尔伯蒂亚美术馆，都灵，意大利
2015，Don Milani Il Mio Maestrro，圣马可大教堂回廊，佛罗伦萨，意大利
2015，Melograno Art Project，Aun GALLERY，德黑兰，伊朗
Group Exhibitions
2025, Dive into Summer Day, Mirror Space, Shaoxing, China
2023, Under the Tuscan Sun, ArtDepot Center, Beijing, China
2023, ONE ART Taipei, EQUAL =, Taiwan, China
2022, Imagination/Image/Fantasy, Spring Art Museum, Shanghai, China
2022, The Blazing Galaxy, West Bund Art and Design Fair, Shanghai
2022, Reincarnation of Light Years, Du Ruoyunzhang, Shanghai, China
2019, La Nuova Accademia: La Ricerca dell’Essenza Nello Studio delle Forme, Italy
2018, Ai Confine dell’Abbandono, Le Muratine, Italy
2017, Tra le pagine di Erba d’Arno, Artisti presentati da Mauro Pratesi, Italy
2017, Du Clos Lucé au Louvre, le trois chefs d'oeuvre de Léonard de Vinci, Italy
2016, Fra Le Pagine di Erba d’Arno，Montanelli Bassi Foundation, Fucecchio, Italy
2016, Volk, Brunelleschi Corridor, Florence, Italy
2016, ACADEMIC ORIGINAL CREATIVE, Sichuan Academy of Fine Arts, Chongqing, China
2016, The 2nd China-Italy Young Artists Joint Exhibition, Oga Art Museum, Beijing, China
2016, Du Clos Lucé au Louvre, le trois chefs d'oeuvre de Léonard de Vinci, Leonardo da Vinci Park Museum at the Chateau Clos Lucé, Amboise, France
2016, Maestri e Allievi Si Confrontano Sulla Pittura, High School of Florence, Florence, Italy
2016, Grammelot, Museum of Contemporary Art, Rome, Italy
2015, Fine Art, Tsukuba Museum of Art, Ibaraki Prefecture, Japan
2015, Enegan Prize, former Tribunal Piazza San Firenze, Florence, Italy
2015, Il Senso del Corpo, Galleria Albertia, Turin, Italy
2015, Don Milani Il Mio Maestrro, Cloister of San Marco Basilica, Florence, Italy
2015, Melograno Art Project, Aun GALLERY, Tehran, Iran
艺术博览会
2025，Art Central 2025，伯年艺术空间，香港，中国
2024，ART021 上海廿一当代艺术博览会，伯年艺术空间，上海，中国
2024，北京当代艺术博览会，北京，中国
2024，香港Art Central艺术博览会，伯年艺术空间，香港，中国
2022，标准酒店艺术博览会，知铭空间，曼谷，泰国
2021，ART TAICHUNG 台中艺术博览会，EQUAL = 等号画廊，台湾，中国
Art Fairs
2025, Art Central 2025, BONIAN SPACE, Hong Kong, China
2024, ART021 Shanghai Contemporary Art Fair, BONIAN SPACE, Shanghai, China
2024, Art Central 2024, BONIAN SPACE, Hong Kong
2021, ART TAICHUNG, EQUAL =, Taiwan, China
2022, Standard Hotel Art Fair, Zhiming Space, Bangkok, Thailand
获奖经历
2015，获 Enegan Prize，由 Mauro Pratesi 和 Fabio Cavallucci 颁发，佛罗伦萨，意大利
Awards
2015, Enegan Prize, awarded by Mauro Pratesi and Fabio Cavallucci, Florence, Italy
出版经历
2016，Grammelot，Neworld Edizioni
2015，Don Milani il mio maestro，Polistampa Edizione
2013，Erba d’Arno 134-135，Edizioni dell’erba Autenticittà，Grafiche Borgo Editore
2013，Combat Prize”，Realizzazione Editoriale Sillabe s.r.l.
2012，Non Sono Che Un Uomo La Vita e I luoghi di Ernesto Balducci，Caleidoscopio edizioni Tele Bianche per Alda Merini，Bandecchi&Vivaldi Pontedera
Publications
2016, Grammelot, Neworld Edizioni
2015, Don Milani il mio maestro, Polistampa Edizione
2013, Erba d’Arno 134-135, Edizioni dell’erba
2013, Autenticittà, Grafiche Borgo Editore
2013, Combat Prize, Realizzazione Editoriale Sillabe s.r.l.
2012, Non Sono Che Un Uomo La Vita e I luoghi di Ernesto Balducci, Caleidoscopio edizioni
2012, Tele Bianche per Alda Merini, Bandecchi&Vivaldi Pontedera
艺术家自述
在斯特凡诺·加利(Stefano Galli)的作品中，可以看到他在绘画领域进行了深入的具象研究。他以此目的为起点，将经验、记忆和兴趣融合在一起去构建自己的想象。
斯特凡诺·加利着迷于古典艺术的传统和当下流行图像之间鲜明的对比，绘画是他工作的主要媒介。在这种对比中，他持续进行更新的过程，从这个方向所能触及到的一切汲取灵感，并根据不同的方式做出变换。在传统绘画和经典元素的基础上，他试图寻找一种独特的风格，即嵌入来自数字世界的干预，与绘画本身进行对话，并改变它的意义。
两个在斯特凡诺·加利作品中同时存在的主角——古典艺术所具有的经典感和当代艺术语境中所包含的讽刺与亵渎。而他，一直被当代社会的怪诞和真实的自然面貌所持续吸引着。
Artist Statement
In Stefano Galli's artworks, he conducts concrete research to explore the surrounding world. Starting from this purpose, he integrates experience, memory, and interest to construct his imagination.
Stefano Galli is fascinated by the sharp contrast between the tradition of classical art and contemporary popular images, with painting as his primary medium. In this contrast process, he draws inspiration from everything that can be reached in this direction and transforms it differently. Building on traditional painting and classical elements, he seeks to find a unique style by incorporating interventions from the digital world, engaging in a dialogue with the painting itself, and changing its meaning.
The two protagonists that exist simultaneously in Stefano Galli's artworks are the classic sense of art and the cynical and irreverent contained in the context of contemporary art. And he continues to be drawn to modern society's grotesque and the scene of nature.
武书成
1987年出生于西安
现工作和生活于西安
WU Shucheng
Born 1987 in Xi‘an, China
Lives and works in Xi‘an, China
个 展
2012，透过灰色的光亮，十八度灰艺术空间, 西安, 中国
2012，轨迹，蓝顶青年艺术空间，北京，中国
Solo Exhibition
2012, Light Through the Grey, 18° Grey Art Space, Xi'an, China
2012, Trajectory, Blue Roof Youth Art Space, Chengdu, China
群 展
2025，忽入夏夜长日，鉴空间，绍兴，中国
2025，今日游移，西安美术馆，西安，中国
2024，在别处，Fakeproject ，西安，中国
2015，“第一届陕西当代艺术节，陕西美术馆， 西安，中国
2014，内观-寄语，天朗美术馆 ，西安，中国
2012，首届weibo当代艺术展，宋庄美术馆，北京，中国
2012，蓝顶*磁场，蓝顶美术馆，成都，中国
Group Exhibitions
2025, Dive into Summer Day, Mirror Space, Shaoxing, China
2025, Today's Drift, Xi'an Art Museum, Xi'an, China
2024, Elsewhere, Xi'an Art Museum, Xi'an, China
2015, 1st Shaanxi Contemporary Art Festival, Shaanxi Art Museum of Fine Arts, Xi'an, China
2014, Inner Vision - Epistolary, Tianlang Art Museum, Xi'an, China
2012, 1st Weibo Contemporary Art Exhibition, Songzhuang Art Museum, Beijing, China
2012, Blue Roof · Magnetic Field, Blue Roof Art Museum, Chengdu, China
艺术博览会
2024，ART021 上海廿一当代艺术博览会，Fakeproject，上海，中国
Art Fairs
2024, ART021 Shanghai Contemporary Art Fair, Fakeproject, Shanghai, China
我近期的新作。主题围绕着几个关键词，疏离、孤独、乏力、荒诞、黑色幽默等展开，想努力去探索并呈现个人与集体产生关系后的状态。人在看似正常的环境中会呈现出什么样的状态，那么导致这些状态产生的原因是什么呢?这就是我想要去表达的内容。
The works in exhibition are all my recent creations. The theme revolvesa round several key words, such as alienation, loneliness, fatigue, absurdity, and blackhumor, aiming to explore and present the state of individual and collective relationships. What kind of states do people exhibitin seemingly normal environments, and whatare the reasons for these states? Thisis whatlwantto express.
赵 唯
1995年出生于中国宁波
现生活和工作于中国上海
ZHAO Wei
Born 1995 in Ningbo, China
Lives and works in Shanghai, China
教育经历
2017年，本科毕业于中央美术学院
2020年，硕士毕业于美国芝加哥艺术学院
Education
2017, Bachelor's Degree from Central Academy of Fine Arts, China
2020, Master's Degree from the School of the Art Institute of Chicago, USA
个 展
2023，秋天的故事，伯年艺术空间，北京，中国
Solo Exhibition
2023, Conte d'automne, BONIAN SPACE, Beijing, China
群 展
2025，忽入夏夜长日，鉴空间，绍兴，中国
2024，限时游离，WAS艺术中心，宁波，中国
2022，矿洞·油罐不眠夜，油罐艺术中心，上海，中国
2022，万镜·矿洞，上海设计周 × 设计生活副本，上海，中国
2022，生物力裸藻，万镜共生，威尼斯双年展，威尼斯，意大利
2021，关系，上海世博园B4-1，上海，中国
2021，关系，富义仓艺术中心，杭州，中国
2021，A City to Wear 3.0，RHAA，芝加哥，美国
2020，何謂女，Artosino Gallery，纽约，美国
2019，Bring Your Own Band-Aid，芝加哥周氏兄弟，芝加哥，美国
Selected Group Exhibitions
2025, Dive into Summer Day, Mirror Space, Shaoxing, China
2024, Limited Time Straying, WAS Art Center, Ningbo, China
2022, All Realms Civilization, TANK SHANGHAI, Shanghai, China
2022, All Realms Civilization, SHANGHAI DESIGN WEEK × FUBEN DESIGN LIFE FESTIVAL, Shanghai, China
2022, Blodynamic Euglena, Annual METAVERSE Art VENICE, Venice Biennale, Venice, Italy
2021, Connection, Shanghai World Expo B4-1, Shanghai, China
2021, Connection, Feelart, Hangzhou, China
2021, A City to Wear 3.0, RHAA, Chicago, USA
2020, What a Woman, Artosino Gallery, New York, USA
2019, Bring Your Own Band-Aid, Zhou B Art Center, Chicago, USA
艺术博览会
2024，ART021 上海廿一当代艺术博览会，伯年艺术空间，上海，中国
2024，台北国际艺术博览会，Cospace Gallery，台北，中国
2024，2024宁波当代国际画廊周，伯年艺术空间，宁波，中国
2024，台南艺术博览会，大河美術，台湾，中国
2024，艺术台北，大河美術，台湾，中国
2024, ART021 Shanghai Contemporary Art Fair, BONIAN SPACE, Shanghai, China
2024, ART TAIPEI 2024, Cospace Gallery, Taiwan, China
2024, 2024 Ningbo Contemporary International Gallery Weekend, BONIAN SPACE, Ningbo, China
2024, ART TAINAN, River Art Gallery, Taiwan, China
2024, ONE ART TAIPEI, River Art Gallery, Taiwan, China
有关伯年艺术空间
伯年艺术空间，2022年创立于北京，专注于当代年轻艺术家的发掘与推广。通过展览、学术研究、公共教育等多种形式，支持富有活力并具备全球视野的创作者在专业领域中的发展。致力于促进艺术家和公众，以及多方机构间在国际上的交流与合作，共同探索当代艺术语境中更多的机遇和可能。
BONIAN SPACE
Established in Beijing in 2022, BONIAN SPACE focuses on discovering and encouraging emerging contemporary artists. The space supports vibrant artists with a global perspective to develop in their professional fields through various forms such as exhibitions, academic research, and public education.BONIAN SPACE is committed to promoting international communication and cooperation between artists, the public, and multiple institutions to explore new opportunities and possibilities in the contemporary art context.
地址：北京市朝阳区酒仙桥路798艺术区七星东街E03楼
Address: Building E03, Qixing East Street, 798 Art Zone, Jiuxianqiao Road, Chaoyang District, Beijing
有关Mirror Space
空间名为“鉴”空间，定位为鉴湖里景中拥有公共属性的展示空间。致力于探讨有关当代文化中有趣的话题，挖掘出当代艺术与城市、大众之间的关联，通过展览、驻留、合作等多种形式呈现国内外优秀且活跃的当代艺术家的作品及项目，努力建构一个推动当代艺术的平台与广大爱好者分享。
开放时间
周二至周日 9：30 — 17：00（16：30停止入馆）
每周一闭馆
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